Showing posts with label Families. Show all posts
Showing posts with label Families. Show all posts

Tuesday, July 23, 2013

The Design Aglow Posing Guide for Family Portrait Photography: 100 Modern Ideas for Photographing Newborns, Babies, Children, and Families







The Design Aglow Posing Guide for Family Portrait Photography: 100 Modern Ideas for Photographing Newborns, Babies, Children, and Families Overview


Get inspired to take family portraits your clients will love
 
Whether you’re facing your first family portrait shoot or are a seasoned professional looking for fresh inspiration, Design Aglow’s 100 ideas for posing newborns, babies, children, siblings, and families will help you approach each session brimming with confidence and creative ideas.

Design Aglow’s style-savvy approach has resonated with photographers (and their clients) everywhere. This curated collection reflects their modern sensibility, with poses from industry superstars such as Elizabeth Messina, Rachel Devine, Jose Villa, Tara Whitney, and Anna Kuperberg. You’ll also get tips on directing your subjects, follow-up shots for each setup, and behind-the-scenes lighting information. 

Both eye candy and practical reference tool, The Design Aglow Posing Guide for Family Portrait Photography will inspire any family photographer, novice or expert, to “wake up” their style and take beautiful portraits for modern families.




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Saturday, June 8, 2013

Cotton Tenants: Three Families







Cotton Tenants: Three Families Overview


A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer

In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a four-hundred-page prose symphony about three tenant farming families in Hale County, Alabama at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.”

The origins of Agee and Evan's famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune's editors shelved the story because of the unconventional style that marked Let Us Now Praise Famous Men, and for years the original report was lost.

But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune.

Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”

Co-Published with The Baffler magazine




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Sunday, September 2, 2012

Life at Home in the Twenty-first Century: 32 Families Open their Doors







Life at Home in the Twenty-first Century: 32 Families Open their Doors Overview


Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. Far richer in information and more incisive than America at Home (Smolan and Erwitt), it also moves well beyond Rick Smolan's Day in the Life series. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that none of these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home.
 
Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.





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Wednesday, October 19, 2011

People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1942







People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1942 Overview


People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.”

The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names. A significant contribution to the history of Native peoples, People of the Big Voice is a breathtaking portrayal of a resilient people whose story continues today.





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