Showing posts with label Century. Show all posts
Showing posts with label Century. Show all posts

Sunday, March 3, 2013

Hollywood Sketchbook: A Century of Costume Illustration







Hollywood Sketchbook: A Century of Costume Illustration Overview


The very first book on the subject of costume illustration for the movies, Hollywood Sketchbook, contains over 500 previously unpublished drawings. More than just pretty pictures, each drawing provides a blueprint for the creation of a costume and a character. This gorgeous volume affords the viewer a rare peek inside the portfolios of a century of costume designers and illustrators including Theadora Van Runkle (Bonnie and Clyde, The Godfather: Part II), Piero Tosi (The Leopard, Death in Venice), and Travis Banton (Scarlet Empress, Blonde Venus). Academy Award-nominated costume designer Deborah Nadoolman Landis follows-up her acclaimed Dressed: A Century of Hollywood Costume Design, to showcase the artistry of costume illustrators and designers from silent film to today's blockbusters.






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Sunday, September 2, 2012

Life at Home in the Twenty-first Century: 32 Families Open their Doors







Life at Home in the Twenty-first Century: 32 Families Open their Doors Overview


Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. Far richer in information and more incisive than America at Home (Smolan and Erwitt), it also moves well beyond Rick Smolan's Day in the Life series. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that none of these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home.
 
Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.





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Tuesday, June 7, 2011

Art Across Time: Prehistory to the 14th Century, Vol. 1







Art Across Time: Prehistory to the 14th Century, Vol. 1 Overview


From prehistory through the Fourteenth Century, volume one of Art across Time presents the most accessible survey of art history available. Unencumbered by global flashbacks and confusing concurrent narratives, Art across Time presents a manageable survey that emphasizes art in its cultural and social context.




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Monday, June 21, 2010

Vanity Fair: The Portraits: A Century of Iconic Images







Vanity Fair: The Portraits: A Century of Iconic Images Overview


Vanity Fair: The Portraits brings together 300 iconic portraits from Vanity Fair’s 95-year history in a remarkable book that captures the image of modern fame—the magical thing that happens when individual talent and beauty (and sometimes genius) is caught in the spotlight of popular curiosity and passion. The photographers—from Edward Steichen and Cecil Beaton to Annie Leibovitz and Mario Testino—are a glittering and celebrated group themselves. Their portraits have become the iconic likenesses of the best-known figures from the worlds of art, film, music, sports, business, and politics.

 

From legends such as Pablo Picasso, Amelia Earhart, Cary Grant, and Katharine Hepburn to the stars, writers, athletes, style icons, and titans of business and politics of today, Vanity Fair: The Portraits offers an authoritative roster of talent and glamour in the 20th century.

(20080811)


Customer Reviews


I am a semi-pro photographer and am always on the lookout for inspiration, so when i saw this on the shelf, I had to pick it up. 10 or 15 pages in, I was hooked. I had to buy it.

The images in this book are incredible, but the foreward the and way the images are arranged just makes reading through that much more fun.

The book is for everyone really, with celebrities photos starting around 1913. It is really an ode to our time in pictures.

I would recommend this book to everyone and am happy I purchased it.


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Monday, May 24, 2010

Witness: One of the Great Correspondents of the Twentieth Century Tells Her Story (Schocken paperbacks on Judaica)







Witness: One of the Great Correspondents of the Twentieth Century Tells Her Story (Schocken paperbacks on Judaica) Overview


With her perfect memory (and plenty of zip), ninety-five-year-old Ruth Gruber–adventurer, international correspondent, photographer, maker of (and witness to) history, responsible for rescuing hundreds of thousands of Jewish refugees during World War II and after–tells her story in her own words and photographs.

Gruber’s life has been extraordinary and extraordinarily heroic. She received a B.A. from New York University in three years, a master’s degree from the University of Wisconsin a year later, and a Ph.D. from the University of Cologne (magna cum laude) one year after that, becoming at age twenty the youngest Ph.D. in the world (it made headlines in The New York Times; the subject of her thesis: the then little-known Virginia Woolf).

At twenty-four, Gruber became an international correspondent for the New York Herald Tribune and traveled across the Soviet Arctic, scooping the world and witnessing, firsthand, the building of cities in the Siberian gulag by the pioneers and prisoners Stalin didn’t execute . . . At thirty, she traveled to Alaska for Harold L. Ickes, FDR’s secretary of the interior, to look into homesteading for G.I.s after World War II . . . And when she was thirty-three, Ickes assigned another secret mission to her–one that transformed her life: Gruber escorted 1,000 Holocaust survivors from Italy to America, the only Jews given refuge in this country during the war. “I have a theory,” Gruber said, “that even though we’re born Jews, there is a moment in our lives when we become Jews. On that ship, I became a Jew.”

Gruber’s role as rescuer of Jews was just beginning.

In Witness, Gruber writes about what she saw and shows us, through her haunting and life-affirming photographs–taken on each of her assignments–the worlds, the people, the landscapes, the courage, the hope, the life she witnessed up close and firsthand: the Siberian gulag of the 1930s and the new cities being built there (Gruber, then untrained as a photographer, brought her first Rolleicord with her) . . . the Alaska highway of 1943, built by 11,000 soldiers, mostly black men from the South (the highway went from Dawson Creek, British Columbia, 1,500 miles to Fairbanks) . . . her thirteen-day voyage on the army-troop transport Henry Gibbins with refugees and wounded American soldiers, escorting and then photographing the refugees as they arrived in Oswego, New York (they arrived in upstate New York as Adolf Eichmann was sending 750,000 Jews from Hungary to Auschwitz).

In 1947, Gruber traveled for the Herald Tribune with the United Nations Special Commission on Palestine (UNSCOP) through the postwar displaced persons camps in Europe, and then to North Africa, Palestine, and the Arab world; the committee’s recommendation that Palestine be partitioned into a Jewish state and an Arab state was one of the key factors that led to the founding of Israel.

We see Gruber’s remarkable photographs of a former
American pleasure boat (which had been renamed Exodus 1947) as it limped into Haifa harbor, trying to deliver 4,500 Jewish refugees (including 600 orphans), under attack by five British destroyers and a cruiser that stormed the Exodus with guns, tear gas, and truncheons, while the crew of the Exodus fought back with potatoes, sticks, and cans of kosher meat. In a cable to the Herald Tribune, Gruber reported that “the ship looks like a matchbox splintered by a nutcracker.” She was with the people of the Exodus and photographed them when they were herded onto three prison ships. Gruber represented the entire American press aboard the ship Runnymede Park, photographing the prisoners as they defiantly painted a swastika on the Union Jack.

During her thirty-two years as a correspondent, Ruth Gruber photographed what she saw and captured the triumph of the human spirit.

“Take photographs with your heart,” Edward Steichen told her.

Witness is a revelation–of a time, a place, a world, a spirit, a belief. It is, above all else, a book of heart.


Customer Reviews


"Witness"
By Ruth Gruber
Review by Phyllis Johnson
Landing assignments her male colleagues hadn't, flying to the Soviet Arctic and then to Europe, seeing an exodus from a country ravaged during the Holocaust, Ruth Gruber was quite a photojournalist. She writes her memoir in "Witness" and serves as an inspiration to anyone spending his or her life tracking down a story, particularly one that may change someone's life for the better.
A life full of adventure and passion for human justice is evident in her 257 page book published by Schocken Books. Sometimes smuggling a notebook in her bra, she ran the gamut from studying Eskimos in Alaska to talking to exiled prisoners in Soviet Gulag.
Photos, black and white images, showing the Soviet Arctic and Alaska documented images of rustic living and reflections of the soul. She wrote of seeing the Aleuts in harm's way of the Japanese, then photographed their exodus. Her photos also show the exodus from the devastation caused by Hitler during the Holocaust in World War II..
A master at capturing intense emotion found in hardships, she knew how to get down in the trenches to get the best possible photos to tell a story. She went behind the scenes, sometimes dubbed as a simulated general to avoid a worse fate if captured as a spy.
Later, she got stories from the refugees onboard an army transport and then pulled into the NY Harbor on August 3, 1944- the same day Anne Frank's family was betrayed. Ruth was accompanying to the United States 1,000 refugees invited by President Franklin Delano Roosevelt while day and night Adolph Eichmann was rushing cattle trains carrying 750,00 Jews into the death camps at Auschwitz.
She records her travels to Europe, the Holy Land and the Arab World, and how she came to be witness to the Nuremberg Trials. Seeing the plight of the Jews trying to come home to Palestine, she interviewed both Arabs and Jews, and followed the journey of Iraqi Jews to Israel. Seeing compassion in a lawyer and social activist named Phil, she was moved to marry him.
Ruth Gruber's account of the ongoing struggle for those seeking justice and fair treatment in life is both vivid and poignant in her book, "Witness."

Review by Phyllis Johnson, author of "Being Frank with Anne" -poetic interpretation of Anne Frank's diary. (Community Press- end Nov 2007 release)



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