Tour de France 100: A Photographic History of the World's Greatest Race

Tour de France 100: A Photographic History of the World's Greatest Race Overview

The Tour de France, first staged in 1903, is the world’s greatest sports spectacle, packed with heart-stopping drama, legendary rivalries, bitter tragedy, and outright farce. In its 100 runnings—the race was interrupted twice by war—it has cast its spotlight on some of the greatest athletes of all time, who fought their way across France’s magnificent landscape in pursuit of victory and the yellow jersey worn by the Tour’s overall leader.

In Tour de France 100, award-winning journalist Richard Moore celebrates all that is great, fantastic, amusing, outrageous, and overwhelming in the Tour through illuminating text and a cascade of defining images from the race’s extraordinary history.

Vividly reproduced photos abound of heroes of the race, from pioneers like Octave Lapize and Eugène Christophe—first to wear the yellow jersey—to legendary warriors like Eddy Merckx and Miguel Indurain. The great battles—Fausto Coppi versus Gino Bartali, Greg LeMond versus Bernard Hinault—are richly told, as is the shocking death of Tom Simpson and the controversial disgrace of Lance Armstrong. And the high drama of the modern era, represented by super-sprinter Mark Cavendish and the droll Bradley Wiggins, is fully covered as well.

There is nothing else that compares to the Tour, and Tour de France 100 is a superb celebration, as well as a keepsake of the Tour’s 100th edition that will be treasured by all cyclists and bike racing fans.

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Photographic Visions: Inspiring Images and How They Were Made

Photographic Visions: Inspiring Images and How They Were Made Overview

Photographic Visions: Inspiring Images and How They Were Made is a treasure trove of world-class photography that will motivate photographers of all levels.

To create this volume, the curators of the online gallery 1x.com selected 95 stunning images from the thousands of amazing images found on their website. The images in the book are by previously unknown photographers from across the globe.

Each image is accompanied by extensive information about the photographer, the vision and story behind the image, and details about the techniques and tools used to capture it.

This is the second volume of the highly successful 1x.com series.

Photographic Visions: Inspiring Images and How They Were Made Specifications

An Excerpt by Author Marina Cano

When they saw me, they all came to the edge of the shelter and looked out at me. For only a few seconds, they formed this fantastic, symmetrical composition right in front of me, each one of them steadfastly staring at me.

I took this image in Cabárceno Wildlife Park in Cantabria, Spain. It is the largest wildlife park in Europe. The animals live in semi-free conditions in an extraordinary environment enclosed by a spectacular landscape.

The Watusi cattle are originally from Africa. In Cabárceno, they usually spend their days grazing on the hillside. The day I took this photograph it was raining, so they went into a shelter in their section of the park.

While I was setting up my tripod and camera, I was not even considering that I would take this picture. I did not expect this magical moment to happen. I had my camera on the tripod, and had just a little time to change the aperture to f/9 to get all the cattle into focus. The setting and situation only lasted for a few seconds.

The background was naturally dark and the very low light illuminated only their heads and horns, while their bodies were enveloped by the darkness of the shelter.

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Front Row Seat: A Photographic Portrait of the Presidency of George W. Bush (Focus on American History Series)

Front Row Seat: A Photographic Portrait of the Presidency of George W. Bush (Focus on American History Series) Overview

America’s forty-third president, George W. Bush, presided over eight of the most dramatic years in recent history, from the 9/11 attacks early in his administration to the worldwide economic crisis of 2008. By his side, recording every event from the momentous to the intimate, was his personal White House photographer, Eric Draper. From a collection of nearly one million photographs, Draper has selected more than one hundred images of President Bush that portray both the public figure and the private man.

Front Row Seat presents a compelling, behind-the-scenes view of the presidency of George W. Bush. Through Draper’s lens, we follow Bush through moments of crisis that called for strong leadership, such as 9/11; emotional meetings with troops in war zones, wounded soldiers at home, and Katrina survivors; and happy, relaxed times with his wife Laura, daughters Barbara and Jenna, and parents President George H. W. and Barbara Bush. We also see Bush at work within his inner circle of trusted advisors, including Vice President Richard Cheney, National Security Advisor and Secretary of State Condoleezza Rice, and Secretary of Defense Donald Rumsfeld.

Capturing moments that reveal the essence of the man, Front Row Seat is an irreplaceable portrait of George W. Bush.

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Light Science and Magic: An Introduction to Photographic Lighting

Light Science and Magic: An Introduction to Photographic Lighting Feature

• light, science, and magic an introduction to photographic lighting
• fourth edition

Light Science and Magic: An Introduction to Photographic Lighting Overview

THE book to own if you want to understand lighting! 

Light Science and Magic more thanjust provides set examples for photographers to follow. This international bestseller provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people.

With more information specific for digital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, this brand new fourth edition will make it clear why this is one of the only recommended books by Strobist.com.

* THE lighting book for serious photographers
* The only book that covers theory and physics of light
* Full of brand new info, specific to digital photography
* Loaded with new and inspiring full color photographs

Light Science and Magic: An Introduction to Photographic Lighting Specifications

Amazon Exclusive: A Letter from Fil Hunter, Paul Fuqua, and Steven Biver, authors of Light--Science & Magic, on Lighting

Fil Hunter

Paul Fuqua

Steven Biver

We photographers now live in a gadget-based world. If you don’t believe me, just look at the Web or any photography magazine. What do you see but item after item extolling the virtue of this or that gizmo?

The lighting side of picture making is no exception. In fact it has become so intense that a huge proportion of questions I’m asked are of the “How can I work without a . . . ?” or “Will I ever be able to make good portraits without a . . . ?”

Fortunately two sentences written for the first edition of Light--Science & Magic some 25 years ago by our co-author, Fil Hunter are just as relevant today as they were then, a quarter of a century ago:

“No photographer has enough lighting equipment to do every assignment as well as possible." and “Most photographers have enough equipment to do almost every assignment well.”

To put those two pithy lines another way, it’s what you do with what you’ve got that counts.

Sure, there most certainly are those times when the newest and niftiest piece of gear would make life a lot easier. But if you can’t afford it, don’t go out and shoot yourself. Instead, start trying to figure out a different way of getting the job done.

You’ll be amazed at how many times you can.

--Fil Hunter, Paul Fuqua, and Steven Biver

---

Amazon Exclusive: An Example from Paul Fuqua, One of the Authors of Light--Science & Magic, on Lighting

For the most part, my co-author, Steven, and I specialize in very different kinds of photography. Steven usually works using lights. I almost always work with only the ambient light I find where I’m shooting.

But as different as these two ways of working are, the approaches we use to lighting our subjects are almost identical. That’s because no matter where you find it or what its sources may be, light always behaves in certain predictable ways.

Take this portrait of my friend Howard. To make it I moved him into the “open” shade of a nearby barn. This flooded him with the kind of softly diffused light I had pre-visualized for the picture.

I then positioned Howard close to the edge of the barn’s shadow. This allowed a small number of the sun’s brighter rays to fall on the camera right side of his face.

The result of this slightly uneven lighting was twofold. First, Howard’s facial features were nicely modeled and second, the diffused light prevented any unattractive hard-edged shadows on it.

What’s important about the above is that I was able to use the ambient light I found on a location to make this portrait using exactly the same basic approach that Steven could use to produce identical looking lighting using studio strobes. Simply put, light is light, and it always follows the same laws of nature wherever it is and whatever produces it.

And that’s exactly what Light--Science & Magic is all about.

-- Paul Fuqua

---

Featured Photographs from the Authors of Light--Science & Magic

This glass of water was photographed with two lights--one on the background and the other in the foreground. (For more on photographing glass see Chapter 7).

This dramatic studio portrait was created using three lights--a Fresnel for the hair light, a grid spot and, a strip light for the face. (For more on portrait lighting see Chapter 8).

Exterior lamp on building wall shot with available light. The hard-edged shadow is a result of the bright specular light, the sun.

Still life was lit with one large soft box. This type of light modifier enables you to create as soft and often pleasing “window light” look.

Location portrait photographed with dappled ambient light.

---

Featured Excerpts from Light--Science & Magic

Read a few sample pages on how the cover was made. [PDF]

Read a few sample pages on how to photograph glass. [PDF]

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A Photographic Atlas of Histology

A Photographic Atlas of Histology Overview

A Photographic Atlas of Histology by Michael J. Leboffe is designed for use in undergraduate histology and human anatomy courses. This atlas contains over 550 high-quality photomicrographs of human tissues and organs.

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A Photographic Atlas for the Biology Laboratory

A Photographic Atlas for the Biology Laboratory Overview

A Photographic Atlas for the Biology Laboratory, Sixth Edition by Kent M. VanDeGraaff and John L. Crawley is a full-color photographic atlas that provides clear photographs and drawings of tissues and organisms similar to specimens seen in a biology laboratory. It is designed to accompany any biology text or laboratory manual.

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Light Science and Magic, Fourth Edition: An Introduction to Photographic Lighting

Light Science and Magic, Fourth Edition: An Introduction to Photographic Lighting Overview

THE book to own if you want to understand lighting! 

Light Science and Magic more thanjust provides set examples for photographers to follow. This international bestseller provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people.

With more information specific for digital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, this brand new fourth edition will make it clear why this is one of the only recommended books by Strobist.com.

* THE lighting book for serious photographers
* The only book that covers theory and physics of light
* Full of brand new info, specific to digital photography
* Loaded with new and inspiring full color photographs

Light Science and Magic, Fourth Edition: An Introduction to Photographic Lighting Specifications

Amazon Exclusive: A Letter from Fil Hunter, Paul Fuqua, and Steven Biver, authors of Light--Science & Magic, on Lighting

Fil Hunter

Paul Fuqua

Steven Biver

We photographers now live in a gadget-based world. If you don’t believe me, just look at the Web or any photography magazine. What do you see but item after item extolling the virtue of this or that gizmo?

The lighting side of picture making is no exception. In fact it has become so intense that a huge proportion of questions I’m asked are of the “How can I work without a . . . ?” or “Will I ever be able to make good portraits without a . . . ?”

Fortunately two sentences written for the first edition of Light--Science & Magic some 25 years ago by our co-author, Fil Hunter are just as relevant today as they were then, a quarter of a century ago:

“No photographer has enough lighting equipment to do every assignment as well as possible." and “Most photographers have enough equipment to do almost every assignment well.”

To put those two pithy lines another way, it’s what you do with what you’ve got that counts.

Sure, there most certainly are those times when the newest and niftiest piece of gear would make life a lot easier. But if you can’t afford it, don’t go out and shoot yourself. Instead, start trying to figure out a different way of getting the job done.

You’ll be amazed at how many times you can.

--Fil Hunter, Paul Fuqua, and Steven Biver

---

Amazon Exclusive: An Example from Paul Fuqua, One of the Authors of Light--Science & Magic, on Lighting

For the most part, my co-author, Steven, and I specialize in very different kinds of photography. Steven usually works using lights. I almost always work with only the ambient light I find where I’m shooting.

But as different as these two ways of working are, the approaches we use to lighting our subjects are almost identical. That’s because no matter where you find it or what its sources may be, light always behaves in certain predictable ways.

Take this portrait of my friend Howard. To make it I moved him into the “open” shade of a nearby barn. This flooded him with the kind of softly diffused light I had pre-visualized for the picture.

I then positioned Howard close to the edge of the barn’s shadow. This allowed a small number of the sun’s brighter rays to fall on the camera right side of his face.

The result of this slightly uneven lighting was twofold. First, Howard’s facial features were nicely modeled and second, the diffused light prevented any unattractive hard-edged shadows on it.

What’s important about the above is that I was able to use the ambient light I found on a location to make this portrait using exactly the same basic approach that Steven could use to produce identical looking lighting using studio strobes. Simply put, light is light, and it always follows the same laws of nature wherever it is and whatever produces it.

And that’s exactly what Light--Science & Magic is all about.

-- Paul Fuqua

---

Featured Photographs from the Authors of Light--Science & Magic

This glass of water was photographed with two lights--one on the background and the other in the foreground. (For more on photographing glass see Chapter 7).

This dramatic studio portrait was created using three lights--a Fresnel for the hair light, a grid spot and, a strip light for the face. (For more on portrait lighting see Chapter 8).

Exterior lamp on building wall shot with available light. The hard-edged shadow is a result of the bright specular light, the sun.

Still life was lit with one large soft box. This type of light modifier enables you to create as soft and often pleasing “window light” look.

Location portrait photographed with dappled ambient light.

---

Featured Excerpts from Light--Science & Magic

Read a few sample pages on how the cover was made. [PDF]

Read a few sample pages on how to photograph glass. [PDF]

Best Price Click Here!

Read more

Sparrows of the United States and Canada: The Photographic Guide

Sparrows of the United States and Canada: The Photographic Guide Overview

This companion volume to the previous, widely acclaimed Guide to the Identification and Natural History of the Sparrows of the United States and Canada takes sparrow identification one step further. The authors have gathered a stunning selection of over 350 photographs as a basis for the identification of all 64 taxa of emberizine sparrows found in the region. Never before has such a comprehensive collection of sparrow photos been presented together in a single guide.

The supporting text gives detailed information on the identification of species, sexes, ages, races, and forms of all the sparrows, towhees, juncos, buntings and longspurs, grassquits and seedeaters, as well as information on their distribution, habits, habitats, molt, and voice. Particular attention is paid to the geographic variation found in many species and to comparisons with similar and confusing species. The conservation status of those that are threatened is also given due attention.

The photographs include contributions from many of America's finest bird photographers, and many were taken especially for this book. All fine portraits in themselves, they have been chosen specifically to illustrate the identification pointers described in the text. Each is captioned with full details of the photographer and the place and time at which the photo was taken. Also included are line drawings of identification details such as wing and tail feathers and beaks, as well as distribution maps.

Key Features:

• Features 350 high quality photographs of each species, subspecies, and racial form identifiable in the field
• Includes line drawings of identification details such as wing and tail feathers, beaks, etc.
• Contains distribution maps for each species

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The Chicago World's Fair of 1893: A Photographic Record (Dover Architectural Series)

The Chicago World's Fair of 1893: A Photographic Record (Dover Architectural Series) Feature

• ISBN13: 9780486239903
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The Chicago World's Fair of 1893: A Photographic Record (Dover Architectural Series) Overview

Colossal spectacle preserved in 128 rare, vintage photographs with concise, fact-filled text: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.

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Kilimanjaro: A Photographic Journey to the Roof of Africa

Kilimanjaro: A Photographic Journey to the Roof of Africa Overview

A spectacular collection of images and words that offer a detailed glimpse into the unique beauty and rhythm of Africa's natural wonder.

Mount Kilimanjaro is the African continent's highest mountain and the world's tallest freestanding mountain. It is a geological wonder formed, sculpted, and molded by the natural forces of volcanic fire and glacial ice. At 19,340 feet (5895 meters) high, Kilimanjaro towers above the Great Rift Valley and lies 3 degrees south of the equator, on the northern border of Tanzania, close to southeast Kenya.

Kilimanjaro is an accessible mountain that one can climb without the help of any technical equipment. The ascent starts from the cultivated lower slopes with dry blistering heat, through a lush, wet rainforest jungle, into heath and moorland zones, all the way up to the desolate alpine desert landscape and the steep, exposed arctic summit area, where one will experience breathtaking views of the legendary snows of Kilimanjaro.

Moushabeck and Schulz invite you along as they explore and climb Mount Kilimanjaro. In this book they capture the essence of this majestic mountain with over 200 full-color photographs and an engaging and entertaining narrative that smoothly ties together personal observations with the mountain's history, its people, and its ecology.

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Scanning Negatives and Slides: Digitizing Your Photographic Archives

Scanning Negatives and Slides: Digitizing Your Photographic Archives Feature

• ISBN13: 9781933952307
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Scanning Negatives and Slides: Digitizing Your Photographic Archives Overview

Many photographers have either moved into digital photography exclusively or use both analog and digital media in their work. In either case, there is sure to be an archive of slides and negatives that cannot be directly integrated into the new digital workflow, nor can it be archived in a digital format. Increasingly, photographers are trying to bridge this gap with the use of high-performance film scanners.

In this 2nd edition, you will learn how to achieve the best possible digital image from a negative or a slide, and how to build a workflow to make this process efficient, repeatable, and reliable. The author uses Nikon's film scanners, but all steps can easily be accomplished while using a different scanner. The most common software tools for scanning (SilverFast, VueScan, NikonScan) are not only covered extensively in the book, but trial versions are also provided on a DVD, which also contains other useful tools for image editing, as well as numerous sample scans.

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Photographic Memory

Photographic Memory Overview

As photography became an increasingly accessible medium in the twentieth century, the popularity of the photographic album exploded, yielding a wonderful range of objects made for varying purposes--to memorialize, document (officially or unofficially), promote, or educate and sometimes simply to channel creative energy. Photographic Memory: The Album in the Age of Photography traces the rise of the album from the turn of last century to the present day, showcasing some of the most important examples in the history of the medium, as collected by the Library of Congress. The book includes albums by acclaimed photographers and filmmakers, among them Walker Evans, Danny Lyon, Holland Day, Jim Goldberg, Dorothea Lange, Duane Michals, Leni Riefenstahl and W. Eugene Smith, as well as lesser-known but equally significant albums. Each album is beautifully reproduced over numerous spreads with an accompanying detailed explanatory text. An insightful history of the album format, as well as an informative essay about caring for and restoring albums are included. At a time when the physical collection of photographs is becoming increasingly immaterial through the ascent of digital publishing, and at a time in which radical shifts have occurred in the status of handmade artists' objects, Photographic Memory is a comprehensive illustrated history of a form of presentation that became something of an art in itself.

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Serial Photography: Using Themed Images to Improve Your Photographic Skills

Serial Photography: Using Themed Images to Improve Your Photographic Skills Feature

• ISBN13: 9781933952734
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Serial Photography: Using Themed Images to Improve Your Photographic Skills Overview

One of the most promising ways to improve as a photographer is through the use of serial photography - a method that author Harald Mante has used and taught throughout his career.

In Serial Photography: Using Themed Images to Improve Your Photographic Skills, Mante explains how to focus your photographic work on themes, objects, shapes, colors, and moods, rather than randomly searching for that one great shot. After putting his methods into practice, you will soon notice that you are able to train yourself to look at things in new and exciting ways. And by continuously adding new images to your collections, you will improve the quality of your photographic work.

In this beautifully illustrated book, Mante presents many of his own photographic series and gives thorough explanations of the concepts behind each series, providing motivation for readers to pursue their own serial projects. Serial Photography can be used as a guide or textbook by both amateur and professional photographers, as well as by students.

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The Art of the Snowflake: A Photographic Album

The Art of the Snowflake: A Photographic Album Feature

• ISBN13: 9780760329979
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

The Art of the Snowflake: A Photographic Album Overview

The perfect geometry and exquisite beauty of nature is nowhere so clear to us as in the snowflake. But how have we been able to appreciate this infinitesimal wonder in all its crystalline glory? This book, as much a work of art as a testament to science, reveals how one of the snowflake’s most inspired photographers came to such intimate knowledge of his craft and its fleeting focus. Beautiful pictures illustrate Kenneth Libbrecht’s story of the microphotography of snow crystals, from the pioneering work of Wilson Bentley in the 1890s right up to Ken’s own innovations in our age of digital images. A breathtaking look at the works of art that melt in an instant, this is a book to page through and savor, season after season.

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The Book of Alternative Photographic Processes

The Book of Alternative Photographic Processes Overview

Photographic artists and students of alternative process photography will welcome this new edition of Christopher James' The Book of Alternative Photographic Processes. This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, Christopher James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, Christopher makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. The Book of Alternative Photographic Processes has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images.

The Book of Alternative Photographic Processes Specifications

Pssst, wanna make a weird photograph? How about a moody blue cyanotype or a Kallitype? Or maybe a ziatype, anthotype, or Ambrotype? Or perhaps you'd just like to know more about image transfer processes or how to make a pinhole camera. Imagine knowing a really cool guy who casually tells you lots of valuable stuff about the history and science of photography while you're working in his experimental darkroom, and you've got the essence of the unusual and delightful Book of Alternative Photographic Processes. Christopher James, a photographer and former Harvard University professor, leads you carefully through the chemistry and use of materials for each process. He offers numerous ways to make negatives and prepare the printing paper, and he coaches you in understanding and accepting the enormously variable effects of each method. Seven useful appendices deal with such topics as safety considerations and resources on the Web. Unlike the narrowly task-oriented approach of average how-to guide, this one points you to a much bigger world. Even the illustrations include a generous assortment of contemporary prints--among them James's own inventive images--as well as work by 19th- and early-20th-century photographers. They were the ones who pioneered most of the techniques that are now considered "alternative."

The fun of this book--even for someone unlikely ever to set foot in a darkroom--lies in the author's fascinating excursions into the wide world of knowledge, from the workings of 3-D to Charles Babbage's steam-driven punch-card systems. Equally compelling are the author's sense of humor and his utter lack of dogmatism. "In gum printing," he writes, "there are very few absolutely correct ways to do anything." --Cathy Curtis

Customer Reviews

Christopher James was my teacher, guide, and mentor in the early 90s. As students we used an earlier version of this text, photocopied and bound in plastic binders. In retrospect, I can't believe how lucky I was to be in his classroom. The first and second editions of this text read beautifully - you really feel as though you are in the classroom with Christopher while reading his voice. I just used his chapter on cyanotypes as a refresher before working on a body of work and was so happy to see new information about creating digital negatives. Put this book on your shelf because there is so much invaluable information between the covers, because it's loaded with inspirational artwork, and because reading it is such a friendly experience. -- xtine burrough, co-author, Digital Foundations: Intro to Media Design with the Adobe Creative Suite (AIGA Design Press), [...]

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• Coming into Focus: A Step-by-Step Guide to Alternative Photographic Printing Processes
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• Primitive Photography: A Guide to Making Cameras, Lenses, and Calotypes
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