Why Dogs Are Better Than Cats

Why Dogs Are Better Than Cats Overview

Some pairings are just meant to be: peanut butter and chocolate, yin and yang, Fred Astaire and Ginger Rogers. So it was only a matter of time before the stars in the universe lined up and suggested the collaboration between New York Times best selling author Bradley Trevor Greive and award-winning photographer Rachael Hale.

Teaming up on their first collaborative effort, Greive and Hale explain once and for all Why Dogs Are Better Than Cats. Now, before all you cat lovers find your fur standing on end, Greive is quick to stress that he is simply "prodog, not anticat. The purpose of this book is not to criticize cats or their owners, but to champion the many exceptional virtues unique to dogs."

What are these unique attributes that make canine companions superior to their feline fiends? (Oops, we meant friends.) Consider the following:

Put simply:

* Dogs are social. Cats are sociopaths.

* Dogs match up to people. People must match up to cats.

* Dogs teach us patience. Cats test our patience.

* Dogs give and give. Cats are the gift that keeps on grifting.

The bottom line is this: Dogs want love. Cats want fish.

Although Greive admits that there is something to be said for "soft, warm, and sleepy" (a.k.a. cats) as captured in Hale's cuddly feline photographs, he concludes that dogs would be the only ones with character enough to admit this fact, thereby once again positioning themselves as the superior pet, confidant, admirer, and friend.

Customer Reviews

Why Dogs Are Better Than Cats by Bradley Trevor Greive is a tongue in cheek look at why dogs have become "Man's Best Friend." When it came down to claiming the title, dogs had some stiff competition from all sorts of animals and Greive explains why many didn't make the cut, including cats, who he claims, "were gonged off the stage in the preliminary rounds due to lack of interest (on their part)." He includes the full bracket to the championship and according to Grieve, it came down to the dog and the lemur. Grieve does concede that cats do have some good qualities, but in the end, according to him, they fall short of dogs.

The photographs in Why Dogs Are Better Than Cats were taken by Rachael Hale and they're simply gorgeous, like the one on the cover. They are mostly of dogs, but do include cats and a few other animals. I kept stopping while I was reading to show them to Carl.

I love the fact that Grieve includes a list of questions that you should ask yourself before you buy a dog and encourages getting your pet from an animal shelter.

There's not a lot of text in Why Dogs Are Better Than Cats, but I still enjoyed it. It's a book I'll pick up over and over to look at the beautiful animals. This book would make a great gift because animal lovers will enjoy the humorous text and the photographs. My only complaint is that part of the text is in the back of the book under notes (they're comments, not footnotes) and it got tiresome flipping to the back to read them.

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John Gossage: The Pond

John Gossage: The Pond Feature

• ISBN13: 9781597111324
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

John Gossage: The Pond Overview

Considered a groundbreaking book when first published in 1985, John Gossage's The Pond remains one of the most important photobooks of the medium. As Gerry Badger, coauthor of The Photobook: A History, Volumes I and II, asserts, "Adams, Shore, Baltz--all the New Topographics photographers made great books, but none are better than The Pond." Consisting of photographs taken around and away from a pond situated in an unkempt wooded area at the edge of a city, the volume presents a considered foil to Henry Thoreau's stay at Walden. The photographs in The Pond do not aspire to the "beauty" of classical landscapes in the tradition of Ansel Adams. Instead, they reveal a subtle vision of reality on the border between man and nature. Gossage depicts nature in full splendor, yet at odds with both itself and man, but his tone is ambiguous and evocative rather than didactic. Robert Adams described the work as "believable because it includes evidence of man's darkness of spirit, memorable because of the intense fondness [Gossage] shows for the remains of the natural world." Aperture now reissues this exquisitely produced and highly collectible classic monograph. With the addition of three images and two essays, this second edition offers new audiences the opportunity to celebrate this notable work by a master photographer and bookmaker.
John Gossage (born 1946) is well known for his artist's books and photographic publications, and has produced 17 books and boxes on specific bodies of work. In the 1960s, he studied briefly with Lisette Model and Alexey Brodovitch. Since then, his work has been exhibited worldwide. His photographs are held in numerous private and public collections, including those of the Corcoran Gallery of Art, Washington, D.C., and The Museum of Modern Art, New York. Gossage lives in Washington, D.C.

Customer Reviews

I've owned a copy of the first edition of "the Pond" for more than 20 years, and have read the book many times. I have no idea what this book is about, and writing a review of it seems completely pointless--unlike the act of holding the book in your hands and turning the pages, which is pure visual pleasure. The individual photographs sometimes seem unsettling, but there are other emotions released also--of stillness, of joy.

I really don't know why this is such a great book--just that it is--and that it is a true gift that it is back in print.

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Photojournalism, Sixth Edition: The Professionals' Approach

Photojournalism, Sixth Edition: The Professionals' Approach Overview

Photojournalism: A Professionals' Approach, 6th edition blends insightful interviews with professionals, practical experience, current equipment and camera technology, and high-impact photographs to create the definitive book on photojournalism. The DVD features footage of working professionals handling on-the-job challenges.

This revised edition features information on new laws affecting photojournalists, new trends in multimedia to keep skills competitive, and as the world grows smaller, a look back at some international history in the photography world. Updates throughout the a imaging chapter, feature pictures, picture editing, ethics, law and wartime censorship keep this book the bible it is known to be. More interviews and case studies with industry greats result in a stunning and dramatic showcase of the best of photojournalism.




What's new to this edition:
* Chapter on Multimedia introduces still photojournalists to reporting and sound gathering for multimedia and video reports for the Internet and television.
* Chapter on Video examines tools and techniques for shooting and storytelling in video.
* DVD includes a new hour-long documentary that takes readers inside Sports Illustrated to see how editors at the weekly magazine edit the world's greatest sports photos.
* Professor Kobré's blog provides links to multimedia and video pieces featured in this edition, and beyond: http://kenkobre.blog.bom

Customer Reviews

I was required to pick this book up for a Photojournalism 2 course in college. Typically, I dread having to buy textbooks because they're boring, impractical and too expensive. While, this book isn't the cheapest in the world, it's a great read. I've cruised through my assigned chapters and am actually ahead of where I need to be. Plus, the photos are great.

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100 Suns

100 Suns Overview

Between July 1945 and November 1962 the United States is known to have conducted 216 atmospheric and underwater nuclear tests. After the Limited Test Ban Treaty between the United States and the Soviet Union in 1963, nuclear testing went underground. It became literally invisible—but more frequent: the United States conducted a further 723 underground tests, the last in 1992. 100 Suns documents the era of visible nuclear testing, the atmospheric era, with one hundred photographs drawn by Michael Light from the archives at Los Alamos National Laboratory and the U.S. National Archives in Maryland. It includes previously classified material from the clandestine Lookout Mountain Air Force Station based in Hollywood, whose film directors, cameramen and still photographers were sworn to secrecy.

The title, 100 Suns, refers to the response by J.Robert Oppenheimer to the world’s first nuclear explosion in New Mexico when he quoted a passage from the Bhagavad Gita, the classic Vedic text: “If the radiance of a thousand suns were to burst forth at once in the sky, that would be like the splendor of the Mighty One . . . I am become Death, the destroyer of worlds.” This was Oppenheimer’s attempt to describe the otherwise indescribable. 100 Suns likewise confronts the indescribable by presenting without embellishment the stark evidence of the tests at the moment of detonation. Since the tests were conducted either in Nevada or the Pacific the book is simply divided between the desert and the ocean. Each photograph is presented with the name of the test, its explosive yield in kilotons or megatons, the date and the location. The enormity of the events recorded is contrasted with the understated neutrality of bare data. Interspersed within the sequence of explosions are pictures of the awestruck witnesses.

The evidence of these photographs is terrifying in its implication while at same time profoundly disconcerting as a spectacle. The visual grandeur of such imagery is balanced by the chilling facts provided at the end of the book in the detailed captions, a chronology of the development of nuclear weaponry and an extensive bibliography. A dramatic sequel to Michael Light’s Full Moon, 100 Suns forms an unprecedented historical document.

Customer Reviews

This book is simply beautiful, everything about it. The images are some of the most stunning records of this era of our nation's history, and beautifully captured and beautifully displayed in one concise book. The author broke the book up into sections depending on location of the bomb (land or sea), and grouped them accordingly, which makes it a great book for image reference too.

Highly recommend this book to anybody. It's a strange mixture of horror, beauty, and sheer amazement.

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Carl Warner Food Landscapes 2011 Wall Calendar

Carl Warner Food Landscapes 2011 Wall Calendar Feature

• ISBN13: 9780810989481
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Carl Warner Food Landscapes 2011 Wall Calendar Overview

Welcome to visionary photographer Carl Warners curious world, where pea pod boats sail away from a land made of bread and potatoes, over a sea of salmon. Can you name the ingredients that went into each of the thirteen complex images featured in this 16-month calendar? Both new and established Warner fans will enjoy not only the thrill of the unbelievable photography but also the challenge of identifying what is actually what in these strange and fascinating pictures.

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